MADRID, 24 May. The Reina Sofia Museum organizes, in collaboration with the Projeto Lygia Pape, the first monographic exhibition dedicated to the Brazilian artist in Europe. It seeks to contribute decisively to the knowledge, study and dissemination of the work of Lygia Pape, one of the leading names in contemporary art in Brazil, along with others like Helio Oiticica and Lygia Clar, with whom he was closely associated.
The exhibition includes some 250 works including paintings, reliefs, woodblock prints, performative actions, shown through objects, videos and photographs-film production, movie posters, poems, collages and documents. May also be his most famous, as Tecelares and Livros, but also other less widely as Neoconcrete Ballets.
Indeed, the selection of experimental films that have been gathered for the occasion is one of the most important aspects of the sample, not having been exhibited together before. Also included are works of collective experience that have survived through the visual documents and the core components of the sample, Tteias, installations strand silver, gold or transparent.
The Reina Sofia Museum director, Manuel Borja-Villel, which acted as curator of the exhibition with Teresa Velázquez, stressed that the Livros are the defining element of his work, because "they represent and reflect modern space with visual and semantic relationships. " After Pape emphasized that he wanted to "break the frames and categories" for his interest in the "overflow and expansion," he MARK this exhibition is the result of "a lot of research and restoration," which could not have been done without Paula, the daughter of the artist and the Projeto Lygia.
For its part, Teresa Velazquez wanted to emphasize during the presentation that this shows try to "do poetic justice to one of the stars of Brazil's radical art of the second half of the twentieth century." The exhibition is showing from now until October 3. Paula Pape, also present this morning at the Queen Sofia has said he was "very happy" about this "great job" and has predicted that all visitors will "be surprised" while recommending you see the sign " with time, because it is very interesting.
" Parallel activities such as side event, on Tuesday after 20 hours will be the presentation of 'crossover', a work that the artist debuted at the Museum of Modern Art in Rio de Janeiro in 1968 and now again be implemented with for this exhibition. The action is that, through a huge white cloth bored, the audience sticks his head while his body is wrapped in tissue.
Pape and broke the boundary between observer and participant, inviting the crowd to complete the work with their participation. Lygia Pape (Nova Friburgo, 1927 - Rio de Janeiro, 2004) is considered one of the major Brazilian artists of experimentation due to its unique production achieved and the constant mutation of their works.
He began his career in the concrete integrated Brazilian Front Panel. Along with artists like Helio Oiticica and Lygia Clark, left the group in 1959 inaugurated the Neo-concrete art whose manifesto is considered the beginning of contemporary Brazilian art. 
The exhibition includes some 250 works including paintings, reliefs, woodblock prints, performative actions, shown through objects, videos and photographs-film production, movie posters, poems, collages and documents. May also be his most famous, as Tecelares and Livros, but also other less widely as Neoconcrete Ballets.
Indeed, the selection of experimental films that have been gathered for the occasion is one of the most important aspects of the sample, not having been exhibited together before. Also included are works of collective experience that have survived through the visual documents and the core components of the sample, Tteias, installations strand silver, gold or transparent.
The Reina Sofia Museum director, Manuel Borja-Villel, which acted as curator of the exhibition with Teresa Velázquez, stressed that the Livros are the defining element of his work, because "they represent and reflect modern space with visual and semantic relationships. " After Pape emphasized that he wanted to "break the frames and categories" for his interest in the "overflow and expansion," he MARK this exhibition is the result of "a lot of research and restoration," which could not have been done without Paula, the daughter of the artist and the Projeto Lygia.
For its part, Teresa Velazquez wanted to emphasize during the presentation that this shows try to "do poetic justice to one of the stars of Brazil's radical art of the second half of the twentieth century." The exhibition is showing from now until October 3. Paula Pape, also present this morning at the Queen Sofia has said he was "very happy" about this "great job" and has predicted that all visitors will "be surprised" while recommending you see the sign " with time, because it is very interesting.
" Parallel activities such as side event, on Tuesday after 20 hours will be the presentation of 'crossover', a work that the artist debuted at the Museum of Modern Art in Rio de Janeiro in 1968 and now again be implemented with for this exhibition. The action is that, through a huge white cloth bored, the audience sticks his head while his body is wrapped in tissue.
Pape and broke the boundary between observer and participant, inviting the crowd to complete the work with their participation. Lygia Pape (Nova Friburgo, 1927 - Rio de Janeiro, 2004) is considered one of the major Brazilian artists of experimentation due to its unique production achieved and the constant mutation of their works.
He began his career in the concrete integrated Brazilian Front Panel. Along with artists like Helio Oiticica and Lygia Clark, left the group in 1959 inaugurated the Neo-concrete art whose manifesto is considered the beginning of contemporary Brazilian art.
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